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Directed by Daniel Myrick, Eduardo Sánchez
Produced by Robin Cowie, Gregg Hale
Written by Daniel Myrick, Eduardo Sánchez
Starring Heather Donahue, Joshua Leonard, Michael C. Williams
Runtime 1 hour, 26 min.
Worldwide Gross $248,639,099
Genres Horror, Suspense, Drama
Remember this film? It's hard not to. In case you don't know already, The Blair Witch Project is about three student filmmakers who go off into the woods to shoot a documentary about "The Blair Witch" of Burkittsville, Maryland. They start off by interviewing local townspeople, drinking beer and chilling out like normal college students. But once they wander off into the woods, things swiftly change.
After shooting for about a day, the team starts to get lost. The crew (Leonard, Williams) get restless and angered by the misdirection of their leader (Donahue). By the second night in the woods, they begin to be hassled by something in the Maryland woods. The harassment is small at first - small noises and such. At first, they believe someone from the town has followed them. But as the situation gets deeper and creepier, they subtly start to believe it's something else.
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Something else I have a problem with is the pacing. Editors Myrick and Sánchez barely give the audience a chance to adjust to each new twist in the plot. This is mainly a problem in the segues between day and night. There never seems to be a sense of time. There's just "day" and "night". One second they're talking in broad daylight and next, they're running through the forest in the dark.
Now onto the good in this film. First, it's unlike many other horror films of its time. Compared to the "slash and smash" gore fest typically seen in horror films and commonplace in 90s cinema, this film takes a more Hitchcock approach to things. Throughout the story, we never see hard, concrete evidence of the film's villain until the end of the film. And in a way like Hitchcock's own Psycho, the audience always seems to be guessing what exactly is going on. In the end, this adds to the film's suspense and to how effective it is.
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Another brilliant thing about The Blair Witch Project is its cinematography. Though the actors (who also doubled as camera operators) had little to no experience with a camera, there are many beautiful shots in this film. One is the infamous apology scene. Throughout the scene, Donahue's face is only half shown, bringing the focus of the shot straight to her eyes. After the film was released, Donahue admits this as a complete mistake. Supposedly, she thought her whole face was in the frame the whole time. Nevertheless, it makes for a great shot.
But this isn't just a one-time occurrence. There's other nice shots to be seen here, from capturing just a breath of cold air in a tense scene to cropping a character's face in a way that a large amount of tension is showcased. However, the actors' lack of prior knowledge sadly works against them as well. Many scenes are unbelievably shaky and out-of-focus. Though this sometimes works effectively, it often doesn't. The camera's shakiness can often get tiring.
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All in all, The Blair Witch Project is a great film to watch. Though it sometimes takes itself too seriously, it often is entertaining enough to slide by. It's cheesy and annoying. But you've got to love it. Even if it doesn't scare you, there's decent acting and at times brilliant cinematography (serendipitous as it may be) to be seen here. And if you give it a chance, the film can be quite frightening as well. This makes Witch a decent movie and an intriguing one at that.
The Blair Witch Project is rated R for language.
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